I feel as though I've been neglecting the few of you who check here regularly, so here's an update on my various theatrical adventures. Even though the next Walterdale show is poised to open (it's Thornton Wilder's Skin of our Teeth, and it's going to be breathtaking, so check it out), I've been primarily preoccupied with putting together the show after that, which is our Evening of One Acts. It's a bit like running a miniature theatre festival--which I've done before, actually, although not in a long while. Mainly it's just a question of trying to balance the needs of the playwrights with the habitual production demands of Walterdale shows. More on these plays later, as they take shape.
Last weekend, I ditched Walterdale altogether and went down to Banff for a board retreat for Alberta Playwrights Network. Our mission was nothing less than total reassessment of everything the organization stands for and everything it does. This turned out to be a bit hefty for me, because, although I've used APN's services a lot over the years, I only joined their board last month--yet here I was, one of five guys in a room trying to plot a long-term future for the 21-year-old institution. It ended up being exhiliarating and very productive--but anyone who wasn't a playwright may have found the semantic haggling a little more frustrating.
The APN re-structuring will continue for awhile (more board meetings and retreats will follow), and we'll hopefully unveil our new approach to play development sometime this fall.
And speaking of unveiling, I might as well spill the beans on next year's Walterdale season. We're technically not announcing the season until May, but buzz has already begun to circulate around the Playhouse, as actors stumble upon the cardboard box filled with photocopied scripts. I don't mind if the word begins to spread; it's more exciting for everybody if it's supposedly a secret.
So, here's the secret. I don't have the exact dates in front of me, so you'll have to check the Walterdale website after May if you want to mark them all down in your calendar (which you should):
#1: Steel Magnolias by Robert Harling
October 2006
#2: A Child's Christmas in Wales (a musical version based on the story by Dylan Thomas)
December 2006
#3: Les Liaisons Dangereuses by Christopher Hampton
February 2007
#4: Antony & Cleopatra by William Shakepseare
April 2007
#5: From Cradle to Stage: Three New One Act Plays
May 2007
#6: The Trial of Salome by Scott Sharplin
July 2007
That's right, I got my Antony & Cleopatra. And I even managed to smuggle on of my own scripts into the mix too. I think it will be a strong season for Walterdale, and one that both our members and our audiences will enjoy; but I don't mind telling you, it's a pretty Sharplin-friendly season as well. What can I say? I love what I do, so I do what I love.
Thursday, March 23, 2006
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1 comment:
There's nothing wrong with a Sharplin-friendly season. I happen to enjoy Sharplin very much, both his artistic vision and his writing. So you can bet your sweet bippy that I'll be seriously considering auditioning for the next season.
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